Haurralde Foundation

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Collection of African masks Haurralde

IMG_4792 This collection offers a wide variety of wooden masks and some iron that shape human figures, animals, dolls with hair braided by ethnicity or region, touched female masks that reveal the rite of passage from girl to woman, generally masks that were used and are still used in celebrations, initiations, crop demands. Most represent a spirit and there is a strong belief that the spirits of the ancestors possesses the wearer.
Anthropologically the word "art" understood in the European context does not exist in many African languages, the manufacture and use of masks is assumed that Africa is part of the experience of everyday life.
The concept of "art for art's sake" does not exist as such, it is failing activity (the creation of masks, face paints, fabrics, batik) to shape and embellish everyday life, and give significance to certain events such as the already mentioned: rites of passage, weddings, banquets, war ... and others.
Some artists of the last century such as Picasso, Vincent Van Gogh, Modigliani have been inspired by this "art" African for his paintings.
If we delve further into the anthropological vision of "art" African, we recommend the following from Jacques Maquet, which we review below and also the article by Ramon Sarro i Maluquer, "Object and context. The status of African artwork "

IMG_4801 The aesthetic experience. The eye of an anthropologist on the art
Jacques Maquet Celeste / University, Madrid 1999
Is art just a beauty to the eye of the beholder? What happens to objects such as an African mask or an Etruscan sarcophagus or an Olivetti typewriter become "art by metamorphosis" and have their place in a museum or gallery with works of art by destination? What aspects of the art objects are essentially relevant? Aesthetic experience is it universal? Is it the same universal art and recognizable as such in different cultures?.

 

 

 

 

 

 

 

 

 

 

Availability of loan or sale, please ask.

Attachments:
Download this file (MASCARAS AFRICANAS-1.pdf)MASCARAS AFRICANAS-1.pdf[ ]576 Kb

News flash

To have little means to die? Lessons from Africa South of Sahara

Central Dossier - Umoya 2010

In the midst of a poverty analysis stigmatized by many in the Western world, there is an Africa that, at the expense of permanent struggle, has built individual and collective strategies to get through times of economic crisis. Often these strategies are organized around ways of living, doing and being to which many analysts do not pay attention or they attach little importance.
However, these techniques are based on a survival ethic based primarily on austerity, courage and humor that, apart from enabling many African and many Africans live with little money, alleviates the effects of abandonment that are victimized by of their governments. We believe that this ethics invites us to look at sub-Saharan Africa to distance himself from the opinion very common according to which part of the world is "the sick man of the world." We believe that this revolution in the perception of the black world, will be built the new framework for dialogue between Africa and the West, able to recognize that the essential human wealth is not measured by how much money you have, but by their degree of adherence to the values of dignity, solidarity and responsibility as unique sources of sustainable human development within reach of every human being.

Full download and read this interesting article on sub-Saharan Africa.

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